I Never Thought I'd Be On a Boat, More Like A Star: January 2013

Someone with access to my boxed up materials (in early 2011 in San Francisco, California) knew I packed my family polaroid portraits (in a world history box designed with the stars/suns/moons; and a label holder on the front) with art supplies to be sent back to Birmingham, Alabama... and consequently stole my family polaroids from me. They had access to my eyes and my video feeds at the time. (Stream of consciousness technique) Cut all access from them, cut out their eyes and return my mother's photographs to I, her only son.

I was using those family polaroids (with nails) to attach to my large scale panel craving drawings and paintings (made out of found materials) that were still under construction during my tenure at the San Francisco Art Institute while working on my Masters in Fine Arts. I concentrate on the disciplines of sight with the mediums of photography and drawing, as well as painting.

The individuals (terrorists) stole those materials to halt the production of my craft making, to attempt to limit my creative sales as a professional artist, and to associate me with the unfortunate loss of work characterized by the artist Richard Prince, who had work destroyed in a fire. An association that constitutes libel and defamation against me as an educated male artist individual involved in this horrible entanglement carry off theft. The terrorists (affiliated with organizations like The Club Birmingham, the United States military, and art world thieves) have been attacking me since I entered the art world and have been destroying my home and surrounding materials. They've claimed it was for educational purposes or have claimed false lies against me.

As my eye sight is the most valuable part of my art practice, professional business and my professional/civilian life, it pains me that these (individuals/terrorists) have been communicating with me and disrespecting the order of the natural universe. By name I have power and they have been respecting my name. These terrorists, Kale Elias Smith and fiance-United States military, Betty Middlebrooks and husband Dennis Middlebrooks-United States military, Patricia Price and Meschelle Thomas and son Alando Sanford-United States military, Niki Burns and husband-United States military, Ineel Lee and Willie Lee-United States military, Guido Maus and wife-internationals/foreign military, Tameka Norris (gang affiliated, lying performance artist), Zeina Barakeh and Tony Labat and Allan Desouza-affiliated with United States and foreign military, Brian Sanders (gang affiliated), Joseph Sanders (drug affiliated), Samuel Mell (drug and gang affiliated) Aubrey Drake Graham (gang affiliated), Alan Jackson and Shawn Carter (who both made profit like all others, before I knew that I existed to I (myself), from knowing about 9/11) and bad corrupt Masons/with the aid of overly bad corrupt masonic states, Tanya Garcia and Hannah Brancato and Paula Phillips (gang affiliated), and corrupt malpractice laden doctors and nurses of doctors and hospitals, have murdered my mother/mom and have caused undue stress/harm/ and sabotage to my career and education since I fractured my ankle playing soccer and since I could use a crayon. (Stream of consciousness technique) Wolf pack? Beowulf? Conspiracy against me? Atlantis?

Plagiarists and terrorists like these and/are the cause of disenfranchised grief and insults brought on by this involvement with endorsers of charlatan fallen stars (play-by-ear video performance artists, military, commercial profiteers who post overly cynical and insulting videos of themselves, their theft, stolen information, or who construct coerced drug induced narratives with coerced drug ladened individuals based on abusive walking until bleeding, property damage and financial damages) have been the cause of family and material loss for me as an educated male artist individual; and it constitutes libel and defamation against me as an educated artist individual. Ultimately this process of defamation and slander has positioned me to search for new areas of truth and artifact/artefact making and archiving.

Vindication rests in the strong arm of the law and in the analogs of the preserved knowledge of history.

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